Prolost

Vegas baby, Vegas

One week from right this minute I'll be rappin' keynote-style at NAB.

A Million Dollar Look on a Thousand Dollar Budget!
Wednesday, April 16, 1:00 p.m. – 2:30 p.m.
Las Vegas Convention Center S222/223

Today’s flexible hardware and software are offering opportunities to create high-quality productions for theater and broadcast on very reasonable budgets. If you love to create projects independently, this is the session for you.

Executive Panelists
Dave Basulto, CEO, Clarity Pictures
Alex Lindsay, Founder, Pixel Corps
Taylor Wigton, Director of Photography, 447 Productions

Keynote
Stu Maschwitz, Co-founder and Chief Technology Officer, The Orphanage
Moderator: Brian Valente, Partner, Redrock Micro

Lightroom 2.0 Will Keep You Up All Night

Uhm, if you're me that is.

Here's a photo I made last year with my Canon 5D:

Here's that same photo with some Develop module work in Lightroom:

Here's that same image with some local corrections in Lightroom 2.0 public beta 1:

Now Lightroom users face the same dilemma that film and video colorists do. You have the tools to do whatever you want to the image. And no one but you will tell you if you've gone too far. Does the last image look better than the middle one? Does it look less natural? Do I care?

There Will Be Blood received an Oscar for cinematography, and did not undergo a DI. But No Country for Old Men did have a DI (Michael Hatzer, colorist) and was, it seemed, neck and neck for the honor. Which do you find more beautiful? More natural? More cinematic?

And which of those three criteria matters the least?